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Hiroki Iwata

 Born 1965 in Tokyo, Hiroki Iwata is a renowned artist and academic whose work explores the intersection of traditional craftsmanship and contemporary themes, particularly through the symbolic use of natural elements like flowers and plants. After earning his M.F.A. in Metal Carving from Tokyo University of the Arts in 1992, he began his career as an Assistant Instructor at the same institution. Over the years, he has held significant academic positions, including Associate Professor roles at Kobe Design University and Tokyo University of the Arts, as Professor.


As a member of the Society of North American Goldsmiths and The Enamelist Society, as well as a director of the Japan Enameling Artist Association, he has established himself as a leader in the global enamel and metal arts community. His works have been showcased at prestigious art fairs such as Collect in London and SOFA in the USA, alongside numerous exhibitions across Europe, Asia, Oceania, and the Americas. 


His artistic practice delves into profound themes such as war, peace, and the fragility of life, often using flowers as a central motif. In his series War and Flowers, he juxtaposes the beauty of flowers with the harsh realities of war, creating a powerful dialogue between destruction and renewal. His works question the role of nature in extreme conditions, such as the blooming of crimson canna flowers amidst the devastation of atomic bombings, symbolizing resilience and hope. 


In addition to his thematic explorations, he employs innovative techniques that blend traditional forging methods with modern technologies like soldering, welding, and electrophoresis. His mist-like surfaces, created using nano-ceramics, titanium dioxide, and sulfide solutions, evoke a sense of ambiguity and depth, inviting viewers to reflect on the elusive nature of reality and the layers of meaning hidden beneath the surface. 


His works are held in esteemed public collections, including the University Art Museum of Tokyo University of the Arts, Kyushu Sangyo University, and the National Museum of Scotland in Edinburgh. Through his art, he not only challenges viewers to confront historical and social issues but also bridges the gap between art and everyday life, emphasizing the role of craft in raising questions about identity and society. 


By combining traditional techniques with contemporary themes and innovative methods, Hiroki Iwata continues to push the boundaries of metal and enamel arts, creating works that resonate with both cultural heritage and modern sensibilities. His art serves as a poignant reminder of the fragility and resilience of life, urging viewers to seek beauty and meaning even in the face of adversity.


The scene of the light
Works:The scene of the light		
Time:2024
Texture of material:copper,gold plate,glass coating
Size:
Works
  • The scene of the light

    The scene of the light

    Time:2024
    Texture of material:copper,gold plate,glass coating
    Size:
  • The scene of the light

    The scene of the light

    Time:2024
    Texture of material:copper,gold plate,glass coating
    Size:
  • The scene of the light

    The scene of the light

    Time:2024
    Texture of material:copper,gold plate,glass coating
    Size:
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