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Born
1965 in Tokyo, Hiroki Iwata is a renowned artist and academic whose work
explores the intersection of traditional craftsmanship and contemporary themes,
particularly through the symbolic use of natural elements like flowers and
plants. After earning his M.F.A. in Metal Carving from Tokyo University of the
Arts in 1992, he began his career as an Assistant Instructor at the same
institution. Over the years, he has held significant academic positions,
including Associate Professor roles at Kobe Design University and Tokyo
University of the Arts, as Professor.
As a member of the Society of North
American Goldsmiths and The Enamelist Society, as well as a director of the
Japan Enameling Artist Association, he has established himself as a leader in
the global enamel and metal arts community. His works have been showcased at
prestigious art fairs such as Collect in London and SOFA in the USA, alongside
numerous exhibitions across Europe, Asia, Oceania, and the Americas.
His artistic practice delves into profound
themes such as war, peace, and the fragility of life, often using flowers as a
central motif. In his series War and Flowers, he juxtaposes the beauty of
flowers with the harsh realities of war, creating a powerful dialogue between
destruction and renewal. His works question the role of nature in extreme
conditions, such as the blooming of crimson canna flowers amidst the
devastation of atomic bombings, symbolizing resilience and hope.
In addition to his thematic explorations,
he employs innovative techniques that blend traditional forging methods with
modern technologies like soldering, welding, and electrophoresis. His mist-like
surfaces, created using nano-ceramics, titanium dioxide, and sulfide solutions,
evoke a sense of ambiguity and depth, inviting viewers to reflect on the
elusive nature of reality and the layers of meaning hidden beneath the
surface.
His works are held in esteemed public
collections, including the University Art Museum of Tokyo University of the
Arts, Kyushu Sangyo University, and the National Museum of Scotland in
Edinburgh. Through his art, he not only challenges viewers to confront
historical and social issues but also bridges the gap between art and everyday
life, emphasizing the role of craft in raising questions about identity and
society.
By combining traditional techniques with
contemporary themes and innovative methods, Hiroki Iwata continues to push the
boundaries of metal and enamel arts, creating works that resonate with both
cultural heritage and modern sensibilities. His art serves as a poignant
reminder of the fragility and resilience of life, urging viewers to seek beauty
and meaning even in the face of adversity.
Works:The scene of the light Time:2024 Texture of material:copper,gold plate,glass coating Size:
The scene of the light
Time:2024 Texture of material:copper,gold plate,glass coating Size:
The scene of the light
Time:2024 Texture of material:copper,gold plate,glass coating Size:
The scene of the light
Time:2024 Texture of material:copper,gold plate,glass coating Size: